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But what does this mean?
Essays need to be analytical rather than descriptive. Activity Below are two paragraphs. Establishing concise criteria will prevent the paper from becoming overly opinionated. Specifically, every paragraph in the body of the essay will focus on one key fact. Each fact should be explained in detail, offering judgement and evidence to support the argument.
Writing an evaluation essay is a fantastic way to see how a specific idea or concept measures up. This specific type of writing offers critical insight into the criteria being evaluated, and presents fair and reasonable evidence so that anyone reading the paper can form their own opinion. This is the outline structure most commonly used for evaluative writing. Each point should be addressed, ideally in the order mentioned. Restate your thesis statement and the purpose of your essay.
Remember to change up the verbiage used so that you are not simply copying your opening statement. This is the last section of your work when you may make an impression on your audience. You will sure want to leave your reader with a strong recommendation. Your closing statement is your final opportunity to speak to your audience. This is beautifully done, but there isn't much to say about it. The facts are the facts.
The second goal is to convince the reader that the horse was not just a horse but a legend, and that the story of the horse is a reflection of the story of America during the Great Depression.
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This goal is the interesting, possibly controversial, one. Foundation : The book is based on extensive research — scrapbooks, letters, newspaper articles, magazines, books, videos, and radio broadcasts of the time, and personal interviews with surviving eyewitnesses today. Very credible. Structure : All arguments are consistent; themes run throughout the book.
During the late nineteen-thirties, the number one newsmaker wasn't a politician or movie star, it was a horse. Seabiscuit toys, games, clothes, and knickknacks with his name and picture were sold. Whenever he raced, roads clogged, extra trains and buses had to be run to carry the crowds, and grandstands overflowed.
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Forty million people regularly tuned in on the radio to hear Seabiscuit's races called, including President Roosevelt, who sometimes delayed cabinet meetings to listen. What was it about the horse that captured the public's heart? According to Hillenbrand, part of the appeal was that he seemed so ordinary. He was short, fat, and thick-kneed, and he had an awkward way of running, with one leg that swung out sideways. Seabiscuit's rival was a horse with high-class credentials.
War Admiral was tall, sleek, elegant, and high-strung. He'd won the Triple Crown and set speed records back when Seabiscuit was struggling even to finish races. For the average American, rooting for this homely underdog was like rooting for themselves in their daily struggle just to get by. Seabiscuit gave hope that the ordinary guy could win. Like many people, Seabiscuit's jockey, Red Pollard, had lost everything in the depression.
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By his mid-twenties, he was broke and homeless, on the edge of financial disaster. He had no job security, no insurance, and was treated as disposable by horse trainers and owners. Like Pollard, the average American knew how it felt to live in constant fear of falling into unemployment and despair. Americans were inspired by the determination of Seabiscuit and Red Pollard. Although horse and man were cursed with bad luck, they never gave up. In , Pollard's chest was crushed when a horse fell on him.
He later broke one of his legs in another riding accident. Doctors warned he'd never walk again, much less ride a horse. A year later, Seabiscuit ruptured a ligament in one leg, and most assumed his racing days were over. But they fought back, and in they won one last race—the richest race in the country. They set a speed record for the distance and topped the world record in race winnings. The story of this comeback is seen as a symbol of what hard work and determination can do.
During the late nineteen-thirties, a turbulent period not only in the U. And people didn't just read about Seabiscuit—they bought toys, games, clothes, food, drinks, and knickknacks decorated with his name and picture. Thousands of people would line up to see him train for races, or even just watch his railroad car pass by.
According to the author, part of the appeal was that he seemed so ordinary, so "everyman. He was short, fat, and thick-kneed, and he had an awkward way of running with one leg that swung out sideways. He even had a bland-sounding name — a sea biscuit is a dry, tasteless cracker that sailors used to take on long voyages because they would not rot.
Seabiscuit's nemesis and most famous rival, on the other hand, was a horse with high-class credentials, from his name to his behavior. He'd won the Triple Crown and shattered speed records back when Seabiscuit was struggling even to finish races. He was the darling of the wealthy east-coast racing establishment, all of whom looked down on Seabiscuit's humble appearance and western roots.
In this rivalry, the regular people could see a reflection of the gulf between the "haves" and the "have-nots" in American society. Rooting for the homely underdog was like rooting for themselves in their daily struggle just to get by. People found hope in the idea that heart and grit might someday carry them where looks and class could not.
Americans could also see themselves in the story of Red Pollard, Seabiscuit's jockey. When he was a teenager, his family lost everything in the Great Depression. By his mid-twenties, he was broke and homeless, sleeping in stables while drifting around the country in search of jobs.
Hillenbrand describes Pollard as a man "sinking downward through his life with the pendulous motion of a leaf falling through still air. Americans were inspired by the determination of Seabiscuit and Red Pollard; although horse and man were cursed with bad luck, they never gave up. Doctors warned he would never walk again, much less ride a horse. Paraphrasing in 2 nd paragraph from Hillenbrand, , pages Author Laura Hillenbrand throws down the challenge on the title page. Seabiscuit: An American Legend is about much more than just a horse and a race. By the end of the preface, her argument is clear — Seabiscuit's story is the story of the country itself, a scrappy, can-do fighter that never gives up or backs down.
Hillenbrand succeeds in making Seabiscuit not just a thrilling sports story, but also a journey into the American heart and soul. Her writing is lyrical, her arguments are logical, and the stories told both then and now reveal a great deal of unashamed love for the plucky little horse. But it's difficult to assess the mood and thoughts of an entire nation eighty years later. Especially when the story is so moving that I can't help but want it to be true. Note: The following essay has been properly cited, but it is not formatted according to MLA guidelines for final essays.
Author Laura Hillenbrand throws down the challenge on the title page of her book. Through tidbits scattered throughout the book, Hillenbrand makes an effective case that Seabiscuit wasn't merely a popular racehorse, but more of a cultural phenomenon. During the late nineteen-thirties, a turbulent period not only in the United States, but also in the world, the number one newsmaker wasn't a president, world leader, movie star, or sports hero, it was a horse.
It is impossible to disagree with her contention, not when forty million people regularly tuned in on the radio to hear Seabiscuit's races called, including President Roosevelt, who sometimes delayed cabinet meetings to listen Hillenbrand xvii. He was short, fat, and thick-kneed, and he had an awkward way of running with one leg that swung out sideways Hillenbrand He even had a bland-sounding name — a sea biscuit is a dry, tasteless cracker sailors used to take on long voyages because they would not rot.
He was the darling of the wealthy east-coast racing establishment, all of whom looked down on Seabiscuit's humble appearance and western roots In this rivalry, Hillenbrand asserts, the regular people could see a reflection of the gulf between the "haves" and the "have-nots" in American society.
Hillenbrand describes Pollard as a man "sinking downward through his life with the pendulous motion of a leaf falling through still air" Like most Americans during the Great Depression, jockeys lived on the edge of financial disaster. They had no job security, no insurance, and were treated as disposable, interchangeable drones by their employers.
The author's description of a jockey's life is chilling. In order to keep their weight down, the men would wear rubber suits or sit up to their necks in piles of manure to sweat the weight off. They'd swallow foul, caustic brews to purge themselves and starve to the point of blacking out.follow url
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If they became too heavy or got sick or got hurt, they'd be fired on the spot The book includes several stories of injured jockeys who had to wait in agony until someone could be spared to drive them to the hospital. Any jockey who talked about organizing, or even taking up a collection to pay for medical care, was instantly banned from racing. In Hillenbrand's view, average Americans identified with Pollard because they too knew how it felt to live in constant fear of falling into unemployment and despair.
Americans saw in Seabiscuit and Red Pollard not only reflections of themselves, but also representatives of who they hoped to be. Even though horse and man were both cursed with bad luck, unfortunate looks, and odds that were stacked against them, they never gave up. The last third of Seabiscuit describes a remarkable story of tragedy and triumph.